Chesterfield in heavy merino hopsack in charcoal

Prices exclude VAT, shipping is free, and orders leave the workshop within three working days.


£600.00 — ex VAT

Tailored overcoat, made in London, with heavy (26oz) merino woollen hopsack from Yorkshire, and with dark horn buttons from the Midlands.


The Chesterfield fits true to size, so the wooden person here, who is as standard a 40 chest as ever there has been, is happily wearing size M.

To fit chest 36 38 40 42 44
Pit-to-pit 20 21 22 23 24
Waist 19 20 21 22 23
Sweep 21 22 23 24 25
Back length 43½ 43¾ 44 44¼ 44½
Sleeve from centre-back 33½ 34 34½ 35 35½

The method of sleeve construction, with the sleeve cut as one continuous panel from neck to cuff, means the shoulders accommodate and drape smoothly over human contours of every shape and size — rendering a shoulder measurement both impossible and irrelevant.

A Chesterfield, traditionally, is a long and formal tailored overcoat, and that's precisely what we have here — albeit less tailored than the norm on account of a softer style of shoulder. But still, it is long and tailored, and intended to be worn as a top-layer over things such as thick shirts and sweaters.
The coat has a front of three buttons, which are hidden when the coat is fastened thanks to fly neatly made with binding. They're horn, these buttons — dark in colour and matte in finish — and are thus each unique in shade and marking. Like alpha-keratin snowflakes, then, no two are wholly alike.
Postbox pockets, these, of which the Chesterfield unmistakably has two. They're an ornate style of patch pocket, and here on the Chesterfield are fairly large, and set at just the right height for the never-not satisfying act of plunging in hands on cold days.
There is a pocket at the chest, too. It is a small jetted pocket with a neat little flap.
There's a half-belt at the back, running between the rear seams. It is fixed in place, but has buttons which enable it to be tightened by an inch and a half. It breaks up what is a fairly long body, and helps pull things together, both literally and figuratively, by introducing a sense of shape at the middle.
This is a half-raglan sleeve — halfway between a set-in sleeve and a full raglan — and is what gives the Chesterfield its unique blend of soft shoulder with formal comportment. You don't see this style of sleeve much these days, which is a great shame, and the Chesterfield bears it with swelling pride.
The coat has a working cuff of two buttons, the opening of which sits on the hind sleeve seam.
There's handiwork here and there on the Chesterfield, such as under the collar, where the lapel and collar are coaxed together with a criss-cross "duck-stitch".
There's one other pocket on the Chesterfield, tucked discreetly into the front facing on the left side as worn. It's a little sideways pocket, intended for the stashing of wallets or mobiles and the like.
The upper third of the coat is lined down the back with a smooth and slinky satin, cut as a single panel. It helps with sliding the Chesterfield off and on, being as the outer cloth has the potential for friction. The sleeves, too, are lined with the same cloth.
Heavy, luxury cloth, this — reaching its weight with great density and almost as great thickness — and with the pleasing bobbly texture of a hopsack. It is made with two-ply merino yarn. Very supple, but with top-grade technical performance — especially in tensile-strength and abrasion-resistance.

As worn

The gent here is a shade over 38 in the chest, and wears the Chesterfield in size S.

Makers of

The coat is made in north-east London. It is a very specialised skill, assembling coats from heavy cloth, and every reasonable step — and the odd unreasonable step — is taken to ensure things are built to last, from the cutting of the pattern to the work on the machine, but without the results being stiff or bulky.
The wool cloth hails from a mill founded in the Heavy Woollen District of West Yorkshire in the 1800s. Carding, blending, spinning, and weaving — it all happens on the same premises. This unique arrangement means that the fleece’s change into top-grade cloth could not be more tightly tuned.
The horn buttons were cut, shaped, and polished by the last such factory in Britain (now defunct). It was part of a tradition in the Midlands first linked to the meat industry of the 18th century. "It is no easy task," said William Hutton in 1780, "to enumerate the infinite diversity of buttons made in Birmingham."

So they say

My Chesterfield has just arrived, surprisingly quickly! I must say that I am blown away by how well made and how sturdy a garment it seems on first impressions. It is both what I was expecting and yet also exceeds my expectations; let's just say that I am impressed! I may have to have the sleeves shortened a little but that shouldn't be a problem. In any case, I just wanted to express my appreciation for delivering such a high quality product, and at such a reasonable price, especially considering the free shipping.

So said a man in Japan, who in October 2020 picked up the Chesterfield in the heavy merino hopsack.

The coat arrived yesterday afternoon. It fits comfortably over tailoring yet has a flattering shape. I am really pleased with the coat's fabric, colour and design — particularly its length — and am very much looking forward to wearing it.

Happy words from a happy miscreant who picked up the Chesterfield in hopsack melton in October 2020.

I just tried on the Chesterfield and it is perfect! Congratulations for your work: I will wear it with pride.

Jubilation courtesy of a man in France who purchased the Chesterfield in woollen Bedford cord in December 2019.